Sunday, February 26, 2023

WEEK 3: Initial Brainstorm For the Background Music

 

Hey guys!

Finding the background music for the production. This is a part of the project that I have been excited to explore since the first announcement in class. 

A common approach for the average amateur film is to use royalty-free sources for music in the films. I actually heard a number of my classmates mention that they were going to seek this route. However, a fun fact about me is that I produce music! I make tracks for fellow artists in the area and for myself, but I have never created music for a film like this. With that being said, I think this could be a very fun, exciting challenge to throw on top of this production. The only setback that I am considering is whether or not this will delay the other pieces of this project too much and cause me to work overtime when I can just find a royalty-free song online and save myself the trouble.

While I continue to contemplate my decision, I chose to do some research about creating music for film scores, and this is what I found:


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ww.youtube.com › watch


                            The sound illusion that makes Dunkirk so intense


https://youtu.be/LVWTQcZbLgY
 

WEEK 3: Project Schedule

     Hey everyone!

    In order to keep this production rolling and give myself enough discipline to make steady progress, I have decided to make a schedule for the remaining weeks of this project. Check it out:


WEEK 4

- Finalize location scouting process

-Continue/finish the storyboard for the project

-Fully develop characters

-Explore more technical elements that I wish to incorporate into this project

-Begin script for screenplay (if time permits)

-Find actors for characters (if time permits)

WEEK 5

-Finalize actors for the film

-Continue script (finalize if time permits)

-Purchase any necessary props

-Arrange film dates according to the actor's schedules

-Finalize wardrobe for actors 

-Finalize lighting technology

WEEK 6

-Create the set

-FILM!

-Start rough edit (if time permits)

WEEK 7

-Film and edit CCR


Hopefully, this keeps me diligent and the workload is manageable for every week. If I end up making changes to the schedule, I will make sure and say so in an upcoming post. Until then, see ya!

Santiago Rios (Feb 26)

WEEK 3: Brainstorming/Laying Out Ideas for the Setting

    Welcome back, gang!

    So now that I have an aesthetic in mind for the project, I want to share my first couple of ideas for the physical composition of the set and some newly acquired information on developing a set that will help me finalize my ideas hopefully by next week.

Potential Location #1: Recreational Room In My House

This location doesn't need approval from anybody for obvious reasons (lol). I've always considered this room to be the eeriest and tight space in my house from a very young age. My family and I have remodeled it over 4 times in the last 10 years, and we still haven't felt comfortable in that room since we moved. It may be because of the entire wall of closets full of junk that can be slightly unsettling to sit next to while knowing how big of a mess it is, or it could also be the large window that faces the street and the surrounding houses. And keep in mind, this room is right next to the driveway, which means we are very close to the sidewalk, which also means it is very easy for someone to look in.

Despite these negative attributes about this room in my house, it works with a plethora of lighting methods and it is one of the easiest rooms to control shadows in that I have ever worked with. I say "worked with" because I have some of my musical instruments in this multipurpose/guest room, and I often film music covers for social media or any school-related videos here. 

The most notable downside of this room has to be the proportions of space. Because the wall with the door is shared with the laundry room, a decent chunk of this room is taken up, which makes the room smaller and slightly disproportionate. The first question that came to me was: how will this affect my filming? In simple terms, this could mean that my shots will have to be tighter than desired and props will have to be carefully strategized to create the ambient as closely as possible.

Here is a rough layout of this room, along with placement for my two characters and some potential prop ideas to start getting a feel of the space I have to play with:



    Clearly, there are a number of both beneficial and possibly-challenging details of this location, which is why I have decided to continue scouting for locations. This is simply the first idea that came to mind from being so familiar with this space and relating the storyline to the design of the room. I will continue to ponder this step of my project and I will provide updates on my decision going forward. 

See you guys then!

Santiago Rios (Feb 26)

WEEK 3: Lighting, Lighting, and more Lighting! (or less???)

   Welcome back!!!

    To best convey my ideas on the screen, I figured that I need to study the main approaches that filmmakers and content creators have mastered to execute a sivual erffect as well possible. I decided to research the following concept because it relates to the aesthetic that I want for my project:

Chiaroscuro

    The concept of Chiaroscuro is basically the implementation of high-contrast visuals in a film. This word is Italian and it carries two contrasting meanings in its composition. "Chiaro" translates to clear and "scuro" tranlates to obscure. This word formation is the best way to understand chiaroscuro. This method of lighting sets uses light and shadow to create dimension and contribute to the visual dynamics of the set as a whole. 


    One of the earliest implementations of chiaroscuro can be seen in the pieces by Leonardo Da Vinci, more specifically during the 15th century. After increasing the popularity of this technique through his influencial presence, Renaissance artists such as Carvaggio and Vemeer. It is not clear when exactly the method of chiaroscuro was introduced on screen, however here are some timeless representations of chiaroscuro over the course of film history:

Citizen Kane (1941)

The Godfather (1972)

Brick (2005)

Sin City (2005



"Salome with the Head of John the Baptist", Carvaggio

This artpiece is a beautiful representation of chiaroscuro combined with some vibrant colors (red, green, yellow, white) that creates a great sense of dimension all over the canvas.

    Now the important part: how will I incorporate this into my film? As I mentioned previously, I plan on using the concept of darkness and dim lights to film my opening scene. These characteristics happen to be an entire "hemisphere" of chiaroscuro that are essentially made for visual effects like that. 

    Because my plot involves an intimate, yet serious meeting between two characters about the truth and nothing less, several emotions, actions, and dynamic portions of the script will need chiaroscuro to have proper control over the environment and to execute the "highs and lows" of the scene as clear as possible. 


    Needless to say, I am extremely excited to use this new strategy in real life to tell my story. Lastly, I wanted to throw in a filmmaking tool I recently purchased which was recommended by a former media student. I plan on playing around with this when the time to film comes. See the item below:



https://www.amazon.com/Aputure-3200-6500K-Adjustable-Stepless-Adsorption/dp/B07MQCKKZ8



Goodbye for now! See you in the next post!


Santiago Rios (Feb 26, 2023)








Cambridge Portfolio Project: Introductory Post

  

The Start Of My Opening Scene Production

    My name is Santiago Rios, and this is my start on the journey of my major film project! Although I had a belated start to these blogs because of my illness last week, I have taken the time to develop the foundational elements for this production and I am eager to communicate these ideas in the coming posts!

    The genre that I decided to research and produce is drama. To understand this style of filmmaking as best as possible, I conducted the following case study on a classic film that most inspires my plans for this production:

The Godfather (1972)



The mis-en-scĂ©ne and lighting techniques in The Godfather are one of the elements that make this production exceptional. Although my film's plot will be seemingly different from The Godfather, the visuals and aesthetics will very much be similar. Through the precisely made sets, costumes, and props that very accurately portray the 1940s and the dim, murky, somewhat intimate offices, the proper portrayal of the storyline for my opening scene will heavily rely on the setting and ambient. The use of "lowkey lighting" is perhaps the most significant takeaway from this movie that I wish to incorporate into my project. The Godfather flawlessly creates a dramatic yet intimate environment, and also gives room for tense feelings, if the script is written in a certain matter. In my case, this will be executed for the sake of tension, and this will be a concept that I will extensively research in the coming days. 
                                                    

This film carries unique elements of filmmaking that have deeply inspired me in the past and will carry a large influence on my filmmaking process for this project. 

My next post will be the first look at my the early stages of my production. See you then!

Santiago Rios 

Wednesday, February 8, 2023

Music Marketing Blog Post #2


Music Marketing Project Reflection

By Santiago Rios

Research and Brainstorming 

    The specifications of this project had several intricate components that my group and I were not fond of which meant that proper execution would require a notable amount of research for all "angles" of the bigger picture that made up this project. The genre we were given, hip-hop, was a style of music that every member of the group happened to like. However, the largest initial challenge was that hip-hop has a whole world in the music industry that quite frankly none of us could talk about, better yet use in our favor for a sales pitch. So we obviously dedicated a lot of time in and out of school to not only research the necessary details for our case studies but also go beyond that and understand this market as a whole. We figured this was the most proactive approach, as it would be the best way to approach the brainstorming process for the music video. 

    For the first step of planning for the video, we agreed to pick the song from the list before going on to a storyboard and such. Little did we know, this would be the first roadblock of the project. After listening to each song close to three times, over half of the allotted time during one class period, we genuinely felt no appeal to any song. In retrospect, it's safe to say that one of the main reasons why we couldn't make a decision was that nobody in the group knew any of the songs, despite our collective interest in hip-hop music.  However, regardless of this, we also had trouble because we didn't see any potential in any song for an engaging, creative music video production. They all seemed bland to us, and no ideas were flowing. This part of the project definitely took prime time from us, which was concerning because it seemed like most of the groups in the class were already ahead of us. After changing gears and turning to the lyrics of each song, we began making progress on this step. We figured that making the music video based on the lyrics was likely the best way to make a meaningful piece that resonates with the purpose of the song. This procedure was way easier and we were able to simmer it down to one song which not only had the best flow but also had lyrics that were easy to feed off of and build momentum for the storyboard. The song we chose was "Colors" by Black Pumas.

    Our overall plan was to make the music video go along with the lyrics of the song. This song used colors as a main descriptive element in the lyrics. So, we decided to include shots that would use the colors mentioned in the lyrics and "align" both together so it makes sense. One example from our video was the shot of Dylan throwing brown leaves into the air during the line "I shake leaves back down to the brown, brown, brown, brown 'til I'm clean". Another principal motive of the song was a message of unity and acceptance for all kinds of people, hence the concept of colors, which indicate the many races and ethnicities that exist in our world. So with this in mind, we chose to add simple, yet powerful acts of inclusion, equality, and the overall uplifting of those around us who are treated poorly. 

Production and Post-Production

From my perspective, this part of the project was the most challenging out of the entire production for both personal inconveniences and general obstacles as an entire group. My group and I were willing to film anywhere to achieve the best footage possible for our desired storyline, and we decided on the local library as our primary filming location for many reasons. The largest reason why we chose this spot over anywhere else is because of access to extra actors for our film. Though we never incorporated this idea in the final production, it was a safe decision to pick the library because we would have a number of students to pick from and invite for our scenes, if needed. In regards to me, I happened to catch strep throat during the main week of our production. This significantly limited my ability to help the group and incorporate my efforts, but more on that later. 

    The partners in my group that were able to go and film proceeded to find and film at a few other locations on campus that were best fit for our video. Another notable location that we filmed at was the school gym, which also had numerous props and people that we incorporated into our video. 

    After filming, the editing and syncing process were mostly carried out by Dylan. For the post-production, we already had a relatively good understanding of the effects and techniques that we wanted to implement to convey our story as well as possible. This was something we had initially brainstormed at the beginning of our project because we knew it would benefit us when we were ready to edit if we already had the majority of the editing ideas thought out.

Presentation

Because the presentation needed to be made in the style of a sales pitch, I decided to take a larger part in this because I needed to continue contributing to the project despite my sickness. Another major reason is that I have previous experience in this area from past shadowing programs and mentorships on proposing ideas and presentation skills. 


Conclusion

This project taught me how to take an idea and properly produce it with techniques and strategies that best appeal to a given category.

Film Opening

 Attached below is my film opening entitled "Cutting Corners" Santiago Rios Film Opening